Abstracts search
HANA BILAVČÍKOVÁ, VÁCLAVA ANTUŠKOVÁ, RADKA ŠEFCŮ, VÁCLAV PITTHARD, LENKA ZAMRAZILOVÁ
Binding Media in Tempera Paintings by Czech Landscape Painters at the End of the 19th Century
RITA LUCÍA AMOR GARCÍA
Strategic Analysis for the Conservation of Graffiti and Aerosol Art: A Study of Strappo as a Safeguard Measure
MANON D’HAENENS
The Role of Conservators: An International Survey on Conservation Within Contemporary Art Collections
MATEUSZ JASIŃSKI
The Painting Techniques and Technology of Caravaggio’s Followers
JOHANNA RUNKEL
Preservation and Access: Applied Collection Care in the Neukloster Monastery
MONIKA SUPRUNIUK
Kazimierz Prószyński and the ‘Oko’ 12 cm Film Amateur Camera – Obsolete Media Preservation and Presentation Project
WHY WAS MY PAPER REJECTED?
Guidelines for writing a research article by William Wei and Anna Kowalik
TABATHA BARTON
The Use and Suitability of Thermoplastics in Conservation and Restoration
ANA BRAAMCAMP DE FIGUEIREDO, MARIA AGUIAR
The lining of canvas paintings with seams
ESTELLE BRUNET
Building a museum to conserve art in the Himalayas: My Matho Museum Project experience
AGNIESZKA DEFUS
The Gap between Scientific and Historic Research in the Field of Cultural Heritage – can this be bridged?
MACIEJ GAWIŃSKI-BRYŁA, IRAIA ANTHONISEN-AÑABEITIA (supervisor)
Reintegration of Monochrome Paintings by Transfer Techniques of Ink-jet Prints
PETRA JUVAN, MARJETA KLEMENCIC, BOJ NUVAK, NEŽA TOPLAK, KSENIJA CERCE, KATJA KAVKLER, NADA MADŽARAC, TAMARA TRCEK PECAK
An Interdisciplinary Approach to Interviewing Contemporary Artists: Interviews with Four Slovenian Painters
KAROLINA KOMSTA-SŁAWIŃSKA, MAŁGORZATA PRONOBIS-GAJDZIS (supervisor)
Contemporary Trends in the Field of Conservation of Historic Codices
ANNA KONOPKO, MONIKA STACHURSKA (supervisor)
“Interpretative” Reconstruction – The Case of a Baroque embroidered and painted Dominican Processional Banner from Janów Lubelski, Poland
ALEKSANDRA KOZIOŁ, IWONA SZMELTER (supervisor)
Forgotten – Discovered; Problems and Topics regarding Conservation and Restoration of Alina Szapocznikow’s Polyester Sculpture Souvenir
MARZIA LODDO
Museum Storage Facilities: what’s next?
KALINA MARZEC
Conserving Rust: Understanding Material and Author’s Technology. Conservation of Alina Szapocznikow’s Bird
ŁUKASZ WOJTOWICZ
Cooperate, educate and preserve. The “Odrzechowa Secrets” Project – social aspects in heritage preservation
SYLWIA POPŁAWSKA
A few words about the Faculty of Conservation and Restoration of Works of Art in the Academy of Fine Arts in Warsaw, Poland
YUQI CHOCK
A preliminary investigation on the compression and elasticity of balsa and jelutong wood fills in oak panels
ELENA CILIBERTO
Insights and reflection into retouching of synthetic emulsion paint: Investigating the effect of light and solvents on three paint colours.
SERENA DI GAETANO
The restoration of two stone statues with traces of polychrome: study of a non-invasive reconstruction
VINCENT DION
Borane tert-butylamine complex: practical research on its use to treat paper materials
SERENA FRANCONE
Mario Agrifoglio’s Convergenze. conservation issues of blacklight paintings
FRANCESCA GASPARETTO
Methodological contributions to conservation and restoration of an inhabited interior. The case study of the University Campus by Giancarlo De Carlo in Urbino
ALEXANDER HABGOOD
Click to Respawn? Accepting video games as cultural heritage
OSKAR HANUSEK, KATARZYNA ŚWIERAD
The final step that could destroy an artwork. The challenge in displaying meaning and intent: preserving the artistic legacy of Jerzy Bereś and Maria Pinińska-Bereś
ANNA KONOPKO
Cleaning of two contemporary sculptures by Mirosław Bałka: Bitch (1988) and Clean Doggy (1986)
FLAVIA PUOTI
Conservation and study of ethnographic materials: two Amharic shields made of leather and metal from the national prehistoric and ethnographic museum “Luigi Pigorini”